She is a representative writer who has been responsible for the depth of Korean dramas for decades. Instead of flashy events, she has written stories that delve into people's hearts, embracing their wounds and deficiencies, and ultimately leading them to recovery. Each line of her dialogue leaves a lingering resonance that stays with you for a long time.
| Item | Content |
|---|---|
| Occupation | Drama Writer |
| Work Style | Humanism·Healing·Relationships |
| Major Works | That Winter, The Wind Blows, It's Okay, That's Love, Dear My Friends, Our Blues |
| New Work | Slowly, Strongly |
Noh Hee-kyung's dramas always start from 'people'. She does not turn away from the marginalized, the sick, and the wounded, but delves deeply into them, depicting scenes where they lean on each other to live. Her signature is solid dialogue that doesn't rely on clichés and three-dimensional character design.
She early on gained the support of a cult following with 'Lie', 'Goodbye Solo', and 'Worlds Within', and rewrote the depth of melodrama with 'That Winter, The Wind Blows' and 'It's Okay, That's Love'. In 'Dear My Friends', she depicted the lives of the elderly, in 'Live', the realities of the police organization, and in 'Our Blues', she warmly captured the diverse lives of the people of Jeju.
Although her range extends widely from melodrama to ensemble dramas, her warm gaze towards humanity remains consistent. Her attitude of not simply categorizing anyone as good or evil, but instead delving into each person's unique story, makes her works loved for a long time.
In Slowly, Strongly, she unveils a new stage: the Korean entertainment industry of the 1960s-80s. Collaborating for the third time with Song Hye-kyo since 'That Winter, The Wind Blows', she depicts the light and shadow of an era with director Lee Yoon-jung.
The main cast of Slowly, Strongly includes Song Hye-kyo·Gong Yoo·[Cha Seung-won), and the direction is by Lee Yoon-jung. More works continue in Drama.
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